Face of the Deep (1.9-11)

Continuing with The Face of the Deep, Christina Georgina Rossetti’s 1892 devotional commentary on the Apocalypse, the first full commentary of any sort on that book written by a woman. Rossetti is one of the best poets in the English language, and her commentary is strewn with poetry throuhgout, which plays an integral role in the commentary, making this one a truly extraordinary commentary on the Book of Revelation.

The earlier installments:
The Face of the Deep
The Face of the Deep (1.1-2)
The Face of the Deep (1.3)
The Face of the Deep (1.4-6)
The Face of the Deep (1.7-8)

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9. I John, who also am your brother, and companion in tribulation, and in the kingdom and patience of Jesus Christ, was in the island that is called Patmos, for the word of God, and for the testimony of Jesus Christ.

“Your brother, and companion . . . in the kingdom . . . of Jesus Christ.”—Thus far St. John addresses all baptized Christians, but not necessarily all, as concerns “tribulation” and “patience.” The first and obvious priveleges are ours by Royal gift; the second and less obvious are likewise ours potentially and in the germ, yet neither effectually nor in maturity unless our own free will co-operate with God’s predisposing grace.

Patience is a great grace; but is it at all a privelege? Yes, surely. The patient soul, lord of itself, sits imperturbably amid the jars of life and serene under its frets. “Let patience have her perfect work, that ye may be perfect and entire, wanting nothing.” Hence we infer that where patience is perfect, nought else will remain imperfect.

Tribulation cannot but be a privelege, inasmuch as it makes us so far like Christ.

Continue reading “Face of the Deep (1.9-11)”

The Jinn

have an oily railyard lantern flare
of equivocal blaze. Sometimes, when so
inclined, the coastal jinn give off a musk
animal glow such as cat fur produces on a rainy day.
They are fond of tall tales and they cluster round
the burner when the bunn is being roasted.
As the magic whiff
of freshly roasted coffee beans climbs up
the hairy wall of the tent and as tranquility
glints in the smug crimson of the coal,
the jinn begin to gloss the words of men.

Their speech is an incised shape of silence, an intaglio,
in which the word is not a single, schisted bloc
of sense, like ours, but guards its pristine
opacity and is impossible
for any dragoman to approximate

We can only
struggle to imagine their colloquies,
all consonant and sukûn,
a gravity of gesture tinged by the fire they are—
ingot-malleable, nugget-plush, pyritic and aureate—
and yet, for all their clang,

perorating and impulsive as a flame.

Eric Ormsby, from Araby, included in Time’s Covenant: Selected Poems

Resurrection, imperfect

Sleep sleep old Sun, thou canst not have repast
As yet, the wound thou took’st on friday last;
Sleepe then, and rest; The world may beare thy stay,
A better Sun rose before thee to day,
Who, not content to’enlighten all that dwell
On the earths face, as thou, enlightened hell,
And made the darke fires languish in that vale,
As, at thy presence here, our fires grow pale.
Whose body having walk’d on earth, and now
Hasting to Heaven, would, that he might allow
Himselfe unto all stations, and fill all,
For these three daies become a minerall;
Hee was all gold when he lay downe, but rose
All tincture, and doth not alone dispose
Leaden and iron wills to good, but is
Of power to make even sinfull flesh like his.
Had one of those, whose credulous pietie
Thought, that a Soule one might discerne and see
Goe from a body, at this sepulcher been,
And, issuing from the sheet, this body seen,
He would have justly thought this body a soule,
If not of any man, yet of the whole.

John Donne, before 1633

While clod returns to clod

Before the mountains were brought forth, before
     Earth and the world were made, then God was God :
And God will still be God when flames shall roar
     Round earth and heaven dissolving at His nod :
     And this God is our God, even while His rod
Of righteous wrath falls on us smiting sore :
And this God is our God for evermore,
     Through life, through death, while clod returns to clod.
For though He slay us we will trust in Him ;
     We will flock home to Him by divers ways :
     Yea, though He slay us we will vaunt His praise,
Serving and loving with the Cherubim,
Watching and loving with the Seraphim,
     Our very selves His praise through endless days.

Christina Georgina Rossetti, before 1882

The Face of the Deep (1.7-8)

It’s been a long time since I’ve touched this. Herewith, I continue posting Christina Rossetti’s devotional commentary on the Apocalypse, The Face of the Deep, published in London in 1892 by the Society for Promoting Christian Knowledge. This was, so far as is known, also the first verse-by-verse commentary on the entire Apocalypse by a woman. I recommend the first entries (Introduction, 1.1-2, 1.3, 1.4-6). I place this in the category “Poetry” rather than “Biblical Studies” because this work is rife with the poetry of Christina Rossetti, who is acknowledged today, finally, deservedly, as one of the finest poets of the English language in all ages.

7. Behold, He cometh with clouds; and every eye shall see Him, and they also which pierced Him: and all kindreds of the earth shall wail because of Him. Even so, Amen.

Once to Nicodemus our Lord said : “Verily, verily, I say unto thee, We speak that we do know, and testify that we have seen: and ye receive not our witness.” So now St. John, on the threshold of his revelation, cries to us: “Behold”—being about to make us see with his eyes and hear with his ears, if only we will understand with hearts akin to his own.

Dare we then aspire to become like St. John? Wherefore not, when we are bidden and invited to become like Christ?

Our likeness to St. John (if by God’s grace we assume any vestige of such glory) must include faith and love, but need not involve more than an elementary degree of knowledge.

Continue reading “The Face of the Deep (1.7-8)”

Is Yeats also among the prophets?

Things fall apart, the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of Innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Who are “the best” but the boni of our day—the politicians like their forebears, ancient cynical senators jockeying for power, for the role of princeps. What conviction do they display, with their records of social and political policies changing with the wind of opinion? The courage of their conviction goes only so deep as their demagoguery finds necessary—in another day, a week, perhaps a month—never so long as a year!—all is changed. Is is not that “Power corrupts” or even “Power corrupts the corruptible” but that “Power is corruption.”

Who are “the worst . . . full of passionate intensity,” but the terrorists of these days and their enablers, of whom are some of “the best”? Such coarse certitude, drawing lines that none may cross but themselves, they with an adolescent fixation on an imagined utopia of fairness—one founded on their own terms, and thus eminently “fair” only to themselves!—a utopia as imaginary as every other ever imagined by minds both greater and lesser.

And yet Yeats wrote this so long ago, in 1921 or before, with very different referents in mind. Even so, do we not think, all of us, but for some very brief interludes when all is well with us, that in our generations each one of them is (again) the time when some “rough beast, its hour come round at last, slouches towards Bethlehem to be born”? Is not every generation prone to see (again) the coming of the man of sin, the lawless one, the antichrist, the beast, the great Satan, Beliar—and the end of the world is at hand (again)?

From my journal, and spruced up a bit. On the night of 1 February 2008, reflecting on Fr Andrew Louth’s quotation of Yeats (at the top of the post) in his Discerning the Mystery, p. 1

Thou art my all

O, never say that I was false of heart,
Though absence seem’d my flame to qualify.
As easy might I from myself depart
As from my soul, which in thy breast doth lie :
That is my home of love : if I have ranged,
Like him that travels, I return again ;
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reign’d
All frailties that besiege all kinds of blood,
That it could so preposterously be stain’d,
To leave for nothing all thy sum of good ;
        For nothing this wide universe I call,
        Save thou, my rose ; in it thou art my all.

Wm Shakespeare. Sonnet CIX.

A Little Eliot

Out and about last Friday, I stopped by my favorite Berkeley bookstore, Black Oak Books. After making my usual rounds, through Christianity/Theology/Biblical Studies, Archaeology, Judaica, Classics, and Middle Ages, I popped by the Poetry section, which has lately been shrinking somewhat alarmingly. To be honest, the whole store has a kind of resigned feel to it these days, a “get it over with” mood that’s not encouraging. Rumors abound among Berkeley’s litterati that its time has come, to generalized dismay. Regardless, I managed to find a great little book there.

It’s Eliot: Poems and Prose, from the Everyman’s Library Pocket Poets series, published by Alfred A. Knopf. This little (4.5 x 6.5 x .75″) hardback comes complete with dustcover and register (the bound-in bookmark). The paper is creamy and smooth. The sewn binding is perhaps a little too tight, but sure to loosen comfortably with age and use. Best, the whole thing fits easily in a coat pocket.

For a T. S. Eliot fan, there’s a fine selection of his work in here. The editor, Peter Washington, receives my admiration, particularly for his choice to include some of Eliot’s essays. The poetry contents are those of three collections: Prufrock and Other Observations, Poems 1920, and The Waste Land. I think perfection would’ve been achieved by including Four Quartets, but, as the old Mohammedan rugmaker said, perfection belongs to God. The essays included are: Reflections on Vers Libre, Tradition and the Individual Talent, Hamlet, The Perfect Critic, The Metaphysical Poets, The Function of Criticism, Andrew Marvell, and Ulysses, Order and Myth. And index of first lines follows the essays.

As I mentioned above, I’m happy to have a selection of Eliot’s prose in such a handy little book. But I’m even more happy to have both The Love Song of J. Alfred Prufrock and The Waste Land in one such handy and pleasantly read volume.

The Everyman’s Library Pocket Poets series includes quite a number of volumes, all of which are listed here by author. For people who’ve created such great little books, their website is unfortunate. It’d be ideal to have a table of contents available for each of those volumes on their individual pages. As you may’ve noticed by clicking the link above to the Eliot volume, the pages are rather bare-bones.

Nonetheless, I can at least recommend the Eliot book for one’s winter pocket.

Dare to eat the peach!

Turtle’s Skull

The shore rang under my heel
After the squall: delicate eyelids
Of shell, the scattered audacities
Limestone confects: those peach-stung
Volutes of supersession, cowrie
And turkey wing, the murex with its
Acrid spirals and the bony rose
Of the lion’s paw. Vacancies, all
Vivid! Where conch gongs trumpeted
Afternoons of disenchantment,
Poinciana-hosannas of departure,

I set the bare-scoured skull
Of the loggerhead seaward
And at daybreak, when the iron
Ladle of the eastern sky oozed its
Apricot-bold fissures of day,
Scathing water poured
From the eyes of the skull.
Black sockets wept the sea.

Eric Ormsby. Originally published in For a Modest God, 1997. Included in Time’s Covenant, 2007.

Wit Stwosz: The Dormition of the Virgin

Golden mantles ripple like tents before a storm
a surge of hot purple lays chests and feet bare
the cedar apostles raise their enormous heads
a beard dark as an ax hovers over the heights

The woodcarvers’ fingers bloom. A miracle eludes
their grasp so they grasp at air–stormy as strings
Stars grow turbid in the sky they make music too
but it doesn’t reach earth it stays high as the moon

And Mary falls asleep. She sinks to the bottom
of surprise. Tender eyes hold her in a fragile net
she falls upward as a stream runs through fingers
and they bend with effort over the building cloud

Zbigniew Herbert, 1990
(an impression of Wit Stwosz’ carved altarpiece in the Basilica Mariacka, Kraków)